Assistant Professor, Department of English Literature, Islamic Azad University, Karaj Branch, Iran

(See my biography page for more information).


Publications:
Foucauldian Archaeology of Slavery in Morrison’s Beloved

Morrison's Beloved imaginatively reconstructs the traumatic life of slaves who have been kept 'voiceless' throughout American history on account of the dominance of Euro American discourse.

Article: Print

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Article: Electronic

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Refutation of the Enlightenment Concept of “Self” in Toni Morrison’s “Sula”

Toni Morrison’s "Sula" defies the concept of the “self” presented by the Enlightenment thinkers, since its protagonist is an inexplicable, splintered character.

Article: Print

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Article: Electronic

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The Subversion of Master’s Defining Power in Toni Morrison’s “Beloved”

Toni Morrison depicts in Beloved the mortifying discourse of slave-holders that sustained their power and how the slaves attempted to subvert that power.

Article: Print

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Article: Electronic

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Capitalism and Fabrication of Hyper-reality: A Baudrillardian Reading of Margaret Atwood’s "Oryx and Crake"

In Margaret Atwood’s "Oryx and Crake" the fabrication of hyper-reality plays a crucial role in upholding the power of capitalists.

Article: Print

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Article: Electronic

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Thomas Pynchon’s "The Crying of Lot 49": A Hyper-real Apocalypse

Thomas Pynchon depicts a world in "The Crying of Lot 49" (1966) where simulation and excess of information result in confusion and then utter indifference, considered here a “hyper-real” apocalypse.

Article: Print

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Published online: March 13, 2014

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Panoptic Mechanism of the Blue-eyed in Toni Morrison’s "The Bluest Eye"

"The Bluest Eye" by Toni Morrison dramatizes the operation of white-dominated media especially Hollywood movies in reinforcing the discourse of the blue-eyed and confirming their racial superiority over black people.

Article: Print

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Published online: September 5, 2014

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